‘Tis the season to slob out on the couch and devour a packet of holiday pastries in front of a terrific flick, a poor film, or one that’s awesomely awful.
This year, a crop of fresh holiday movies aims to become part of our seasonal watchlist—perhaps even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a noble effort to distinguish the gems from the coal, and to find the Christmas spirit, I marathoned as many recent Christmas films as possible in a single day.
Starting, ideally, on a positive note. This film is the sole 2025 title on a well-known aggregator's list of the top 100 Christmas movies of all time.
The musical trio are trapped in the UK after finishing their world tour and must return for Christmas. Their attempts are hindered by an evil Santa, who breaks into song to state they won’t get home until they “rekindle their familial spark.”
The banter between the squabbling siblings is entertaining even for the casual viewer, while fans will certainly catch lots of in-jokes as they attempt to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not an all-time classic, but is great for fans and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who are obliged to sit through it.
A-list actor Kiefer Sutherland stars as a celebrity cast a traditional British stage show.
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and aging action hero Brad Mack, who has fallen on hard times and whose manager has deceived him into thinking he’s performing in high-class London stage.
His Aladdin cast-mates tell him he’s playing Buttons. “Oh no I’m not,” he insists angrily. It's easy to predict their retort. Unless you’re not acquainted with traditional panto catchphrases.
There are some hilarious moments, some cockle-warming side stories, and the supporting actors is excellent, too.
It’s the type of film that would be a bit cheesy at any other time of year, but is a lot of fun at Christmas.
Holiday verdict: 🎄🎄🎄🎄
An actor pops up at the outset of this film, too, delivering a signature line for the second consecutive movie. Might this become a budding festive ritual?
This time, he’s a crooning chauffeur who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale develops as the stingy Mr Sood is confronted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least unique from all the others, but regrettably he’s not very charismatic and Nayyar’s acting is lifeless—a problem when he’s so the focal point.
Festive score: 🎄🎄
There’s time for a major broadcaster's original festive film—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he receives an sizable holiday payout at work, his wife (starring Morgana Robinson) talks him into spending the sum on a holiday to Lapland.
There’s just one snag—he discovers there was an mix-up with his bonus, which should have been £800, and he has to figure out how to reimburse the difference.
Fun while it lasts but not lasting.
Holiday verdict: 🎄🎄
This is one of those Christmas films where the festive trappings are in the setting—Christmas is the environment of the film rather than its main point—but it feels cosy and festive all the same.
Driven corporate star Sydney (starring Minka Kelly) is sent to a vineyard to secure an acquisition for a champagne business. During her travels, she encounters a fellow in a book store who promises to show her a festive Paris.
A critic recently stated this is the top new Christmas film of the last several seasons. That’s a bit of a stretch, but it is a holiday love story with a hint of sophistication and gives the necessary cozy feelings.
The scene with a extended debate about Die Hard is particularly strong too.
Festive score: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, in spite of the efforts of his dad (played by James Buckley) to tell him the reality.
The secret is out there, and Chris ventures forth to find it with the assistance of a team of well-known experts and celebrities.
It’s low-key but endearing, and ideal viewing while waiting for Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the head of a dysfunctional American family who reunite for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in practice it’s really a jumble of those forerunner films, at least until Pfeiffer’s character at last takes center stage.
Christmas tree rating: 🎄🎄
The day’s waned in quality, but happily here’s a new addition in the saturated market of cliched, saccharine, over-the-top—and strangely compelling—seasonal comfort food.
It’s a story as well-worn: An American woman goes on a quest to a distant snowy land and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher
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