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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He subsequently formed the innovative techno group The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I managed to damage myself significantly," he stated in 2023. "I fractured spinal bones in my spine and cracked about multiple ribs and broke my wrist."

Following contracting a lung infection and developing blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for seven months.

However, he had been in "high spirits mentally" over the summer, as he was developing a new album with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was concentrated and very pleased with the new album that we literally completed only a short time ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense part of my existence and for the songs you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Being in a partnership with someone is different from joining a group, the bond is very tight," he continued.
"That's how it was with us. We went through so many remarkable, extraordinary, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his given name from his birth name to his adopted name, together with his sibling his sister, who was also adopted.

He met Almond at an art college in 1977, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly produced an extended play.

Musical Partnership

The pair were an unusual pairing: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant performer, all sparkle and makeup; but they attained a rare musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk perform on a television science show a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second most popular song of 1981, selling millions of copies worldwide. Together with hits by Gary Numan, contemporary bands and electronic acts, it helped cleared the way for the electronic music style of the 80s.

The song was also included on their first album, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's death

Career Highlights

Fame had its benefits. "I loved being able to afford my first home, having financial security and travelling, which might seem like a beauty queen," Ball recently shared with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford newfound drugs to relieve the boredom" of media interviews and TV performances, Ball said.

"I know that's a cliché, but it's a truism for a good reason, because it applies for so many bands."

During the party-filled existence, the pair were also drifting apart, but they managed to produce a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

Following another break, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, that year.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the duo's new album as a homage to the New York club scene they frequented while making their initial records.

He noted that his time in medical care had shaped the group's music.

"I had strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my head from those days.
"In parallel, it's about the times me and Marc had in the 1980s."

The final mixes were finished only a short time before Ball died. It is due for launch in Spring 2026.

By

Donna Burnett DDS

A passionate film critic with over a decade of experience, specializing in indie and international cinema.

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