Esteemed author Paul Bailey, who passed away last year at 87, was celebrated for his comic brilliance, deep empathy even for the worst personalities in his stories, and a cleverness that avoided being sterile. His literary works often explored the influence of recollections on human existence, fueled by sharp, rhythmic dialogue. In addition to storytelling, he also excelled as a memoirist, poet, and more—this is an overview to the books he left behind.
Paul Bailey proved a gregarious individual, an excellent talker fond of lighthearted gossip, as one character notes. Together with companion Beryl Bainbridge used to view the serial drama Coronation Street and analyze it telephonically. This enjoyment of informal dialogues appears within his books the book Trespasses (from 1970) and the title Peter Smart’s Confessions (released in 1977). The two present a central male figure surrounded by humorous, irritating, exaggerated personalities, frequently family members whose impact cannot be avoided. “Why would anyone desire normality?” queries Ralph’s mother in the book Trespasses upon his coming out. Like an evening with your wittiest, boldest friend.
Bailey wrote brilliantly about aging, throughout his literary path. His initial fiction At the Jerusalem (published in 1967) traces the life of Faith Gadny while she adapts to an old people’s residence, in which other inhabitants provide kindness missing from caregivers, whose engagement via queries “Why aren’t you ladies watching the television?”. In his penultimate novel Chapman’s Odyssey (released in 2011), a senior in hospital alternates between clashing with physicians (“I consume only fine wines”, he affirms following criticism of his liver) and confronting past remembrances involving his mum, partners, classic characters such as Pip from Dickens or Emma from Austen. Each volume include humorous dialogues but marked by the inevitable conclusion. In his stories, grins are unreliable. In At the Jerusalem, “the matron beamed, then stopped suddenly”; Faith Gadny chuckles anxiously if her actions are questioned. In that novel, Harry advises that “my smiles aren’t what they seem”. The audience’s grins, though, are real.
In addition to fiction, The author excelled as a talented life writer, publishing two autobiographies. An Immaculate Mistake (from 1990) stands as a masterpiece of recollection, its title derived from his mother’s words that “You were our mistake. You ought not to be here, by rights.”. (“Aged, she was releasing her confidences,” he notes. “She understood this would captivate me.”) This book reveals the origins of flawed, caring, annoying mothers and fathers throughout his books. It also paints a beautiful image of a boy discovering his sexuality in that era, when homosexuality was illegal, and his relatives considered it strange that a son would purchase flowers for his mum; and of a would-be thespian (Paul Bailey performed before writing) who memorized Hamlet at 15. His subsequent life story A Dog’s Life (published in 2004) centers on existence alongside his mixed-breed dog Circe, his ex-partner David, his love for Romania—that influenced future works including Kitty and Virgil, Uncle Rudolf, as well as The Prince’s Boy—and loads of chatter, with a story about Iris Murdoch dubbing a participant an “idiot”.
Bailey’s novels tend to be short—the notable Old Soldiers (1980) is barely 100 pages—but for something shorter, explore his poems from his later career. The pair of volumes Inheritance (from 2019) and Joie de Vivre (2022) display Bailey’s wit, empathy, precision in condensed form. These writings contain death and life. Two romantic motifs repeat: about his parent (“I’m closer to you now – / I need to tell you – / than I ever was in life”) and for his civil partner Jeremy Trevathan. Within the poem Amazement, he describes the happiness from enjoying “foolish television” side by side, ending with: “It’s remarkable, this simple act of consuming cheese and wine as darkness falls.”
There is little debate that Bailey’s most ambitious novel was Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, an experience he despised.) This was the book Paul Bailey valued most, even though “it exhausted him completely”. It tells the narrative of Gabriel Harvey, whose mum disappears while his dad transforms into an unbearable snob upon receiving money, with possible connections. It’s a depiction of the city in that era, a tale of emotional unraveling, and both comic and tragic similar to his entire output. For more, it inspired a sequel, Sugar Cane (1993), that he investigated by going to such places to watch.
A passionate film critic with over a decade of experience, specializing in indie and international cinema.